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Communist China, 1955–1959
Policy Documents with Analysis
Robert R. Bowie and John King Fairbank
Harvard University Press
The years 1955–1959 in Communist China included striking fluctuations and successes for Mao Tse-tung’s Party, and the working out of the first Five-Year Plan for economic and agricultural development. Here analysis of domestic developments is supported by 48 documents—directives, speeches, and articles. The major Party pronouncements are given in full. The significance of each is clarified by prefatory comments indicating additional readings, and by the 41-page introductory essay. This newly integrated picture of five crucial years pioneers the use of documentation (as in Soviet studies) for dealing with Communist China.
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front cover of Night of Denial
Night of Denial
Stories and Novellas
Ivan Bunin
Northwestern University Press, 2006
The first Russian to be awarded the Nobel Prize for literature, Ivan Bunin is often considered the last of the great Russian masters. Already renowned in Russia before the revolution, he fled the country in 1920 and lived the remainder of his life in France, where he continued to write for thirty years. Bunin made his name as a short-story writer with such masterpieces as "The Gentleman from San Francisco," the title piece in one of his collections and one of the stories in this volume. His last book of stories, Dark Avenues, was published in the 1940s. Among his longer works were a fictional autobiography, The Life of Arseniev (1930), and its sequel, Youth (1939), which were later collected into one volume, and two memoirs, The Accursed Days (1926), and Memories and Portraits (1950). He also wrote books on Tolstoy and Chekhov, both of whom he knew personally. Bunin, in fact, serves as a link-both personal and literary-between Tolstoy, whom he met as a young man, Chekhov, a close friend, and Vladimir Nabokov, who was influenced by Bunin early in his career and who moved in the same émigré literary circles in the twenties and thirties.

Bunin achieved his greatest mastery in the short story, and much of his finest work appears in this volume-the largest collection of his prose works ever published in English. In Robert Bowie's fine translation, with extensive annotations and a lengthy critical afterword, this work affords readers of English their first opportunity for a sustained encounter with a Russian classic, and one of the great writers of the twentieth century.
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